• #TBT The Upcycled Mummy’s Curse! A spoOky DIY

    Continuing my Throwback Thursday posts, this time highlighting my love of Halloween, Ancient Egypt and upcycled crafts! Posted in 2015 on the Amazing Casting Products blog,  I had some rather odd inspiration for this project and it all started with me finding some fun plastic Halloween skulls at a Thrift store. With two of them, I made Ghoulish Glam Skulls and the rest I saved for Halloween decor around the house.

    While I was outside in the garden one of our dogs, Luna, decided to play in the house, the skulls were close to her toys and she cracked one of them. I of course couldn’t be angry with her playing though her rather adorable “I totally did NOT do that” face also helped. When I was about to throw out the skull, an idea came to me: why not use the cracked skull as a base for a Halloween mummy head prop? 

    Supplies: 
    Amazing Casting Resin
    Alumilite Dyes
    Liquitex Gloss and Matte Varnish
    Acrylic Paint
    Aluminium Foil and Paper Bags
    Stir Sticks
    Plastic Halloween Skull
    Cotton Muslin Fabric
    Black leaf tea bags
    Beacon’s Gem-Tac
    Paint Brush
    Paper Tape Roll
    Hot Glue Gun and glue sticks

    With the crack being along the side of the eye socket and most of the left side of the skull I needed to stabilize the now-fragile skull. I thought of using Casting Resin but I needed to seal the hole before filling the skull with resin. I taped up the crack with clear packing tape, creating a temporary seal for the resin.

    Knowing that if I were to fill up the whole skull with Casting Resin it would not only require a lot of resin but make the skull on the heavy side I needed to put some sort of filler inside the skull. Using used clean paper bags and crumpled aluminum foil I slipped them inside the skull through a hole in the bottom.

    Next I made small batches of Amazing Casting Resin and poured it through the hole in the bottom of the skull. By pouring small batches and then tilting the skull I was able to make sure all of the inside of the skull was equally covered with resin, stabilizing the plastic skull. This process went very quickly because Amazing Casting Resin sets up in 10-15 minutes. I ended up using 3/4 of a resin kit to fill the inside of the skull.

    Once I had filled up the inside of the skull I hot glued a tape roll to the bottom of the skull to create a neck for the mummy head. Any gaps between the tape roll and the skull I filled in with aluminum foil and hot glue.

    I then mixed up some Casting Resin and poured it into the newly formed neck of the mummy head. I put some extra foil into the neck cavity and filled it up with more Casting Resin, using up all of the kit.

    Once the resin was cured, I removed the tape from the now resin-filled crack and removed any excess resin spills off the skull.

    Since not much of the plastic would be visible under the wrappings but I didn’t want it looking like a skull. I painted the skull with a mixture of yellow, brown and black acrylic paint. I glued on used tea bags to create eyelids and created a nose out of paper bags and tin foil. I glued on some loose tea grounds to give the look of sand/dirt and sealed it with Liquitex Matte Varnish.

    To create wrappings: I dyed cotton muslin fabric in a bath of hot black leaf tea and bags. I let it soak for a few hours to stain and then let the fabric dry. Once dry I tore the fabric into 2 inch strips to make wrappings. I started applied the wrappings to the skull with a bit of Beacon’s Gem-Tac and started to wind it around the skull. I didn’t use any set pattern or style; I just had fun and made sure to cover up any of the more skull-like features of the head.

    Once I was finished wrapping the skull I liked the overall look, but felt it needed something more to create the look of age.

    Since real mummies still have old oils and resin still visible on the surface of their wrappings, I created some out of Liquitex Gloss Varnish mixed with some Brown Alumilite Dye. I used the varnish instead of resin because I wanted to control how it dripped and needed it to dry quickly. The Alumilite Dye allowed me to tint the varnish without losing the transparent nature of the varnish.

    Once dry, this spooky décor is a perfect addition to my creepy curiosity cabinet on display for Halloween!

    Until next time, safe travels!

    This is an affiliate post, which means I received an assortment of products as a compensation for the creation of art. To read my full disclosure, click here

  • #TBT Sit for a Spell! DIY Eye of Newt Apothecary Jar

    Kicking off my Throwback Thursday posts with one of my favorite upcycling Halloween crafts. Posted in 2015 on the Amazing Casting Products blog, this quick and easy project is perfect with Halloween coming up fast.

    Taking inspiration from one of William Shakespeare’s most famous plays, Macbeth:

    “Eye of newt, and toe of frog,
    Wool of bat, and tongue of dog,
    Adder’s fork, and blind-worm’s sting,
    Lizard’s leg, and howlet’s wing,–
    For a charm of powerful trouble,
    Like a hell-broth boil and bubble.”

    That part of the play has a wonderful spooky quality, often inspiring all types of ghoulish displays and decor for Halloween. The interesting part is that most of those names of ingredients were not intended to be taken literal, but were herbalist or folk terms for common herbs and plants. In the case of “Eye of newt” it was referring to a type of mustard seed. However thanks to pop culture more often than not most people think of real newt eyes in a jar. So knowing some seeds in a jar isn’t that ghoulish of a Halloween decoration I decided to go with the pop culture version of making a jar with faux newt eyes. 

    Supplies:
    A Glass Jar previously used for a candle
    Resin
    Moss
    Eye Beads
    Glitter (optional)
    Chalk Sticker
    Chalk Pen
    Wood Bead
    Black Chalk Paint
    Sandpaper

    I cleaned up a old jar that previously had a three wick candle with a metal lid, making it perfect for an apothecary jar. I picked this type of glass because it is tempered and can handle the heat often created by thick pours of curing resin.

    I put some dried moss at the bottom of the jar to add some visual contrast. It would also help with adding some textured base to prop the fake eyes on so they wouldn’t all sink to the bottom.

    I mixed up 3 fluid ounces of Amazing Clear Cast Resin and slowly poured it on top of the moss to cover it.

    The moss became a bit dark after the resin started to soak into it, so before the resin layer started to cure I sprinkled a bit of micro crystal glitter* to give just a slight shimmer to the moss layer.

    *The glitter is an optional step

    For newt eyes I used transparent acrylic Eye of Warding beads carefully placed in the still wet resin. Recent popularity of the beads has had a lot of bead manufacturers making all kinds of the Eye of Warding beads out of glass, acrylic, clay and even recycled plastic. 

    *Take a trip to your favorite craft store to check out what types of beads they might have for you to use!

    Once I let the first layer of resin cure for about an hour I added some more eye beads and little snippets of moss. I didn’t want to add too much. I wanted it to look like someone used the “newt eyes” a lot in their spells.

    While the final layer of resin cured I worked on the lid to the jar. To bring down some of the bright silver tone of the lid I used some sandpaper and little bit of chalk paint to give it an aged look. A painted wooded bead, glued on top of the lid, gave it a pull knob.

    With a chalk board sticker for a label the jar was finished and not a single newt harmed! 🙂

    Until next time, safe travels!

    *This is an affiliate post, which means I received an assortment of products as a compensation for the creation of art. To read my full disclosure, click here

  • 2018 Creativation Trade Show with Amazing Casting Products

    The Creativation Trade show, held in Phoenix, Arizona is the must-go event for craft and hobby industry professionals.  It is held by Association For Creative Industries or AFCI, showcasing the many facets of the creative industries from edible arts, painting & drawing, kids crafts, sewing & fabric, paper crafts and more.  This year’s 2018 show was a plethora of arts and crafts manufacturers, new products, demos, classes,  and networking opportunities.

    Once again I was a demonstrator at the Amazing Casting Products/Alumilite Corp booth at Creativation! Here we are first day, right before show floor opening happy to have the booth up and running before the rush of attendees. It was a pleasure and honor to being working with such talented and devoted people!

    So many samples were showcased in every corner of the booth!

    The Amazing Casting Products Design Team had sent in a wonderful array of projects.

    Anything from home decor, kitchen wear, mixed media, jewelry, toys, garden decor, and fine art applications could be found in the booth.

    The demo area always had some sort art going on.

    With so many samples there was bound to be some art application that would catch the interest of an attendee.

    All three days I did demos; First day “Frozen in Time” How to embellish mixed media projects combining Amazing Clear Cast Resin with powders, dyes, stamps, found objects and more! Second day “Crafting Conversation Curios” How to mold and create unique handmade resin pendants, charms and curios with Amazing Casting Products! Third day “Wearable Art, Clay Time” Exploring the creative possibilities of wearable art that can be achieved using Amazing Casting Products and polymer clay! Manufacturer partner, Polyform Products

    Yours truly working on the “Crafting Conversation Curios” demo.

    Amazing Casting Products Design Team Leader Susan M. Brown starting with her “Moldmaking 101” demo. At this demo people learned how to make quick and easy push molds using Amazing Mold Putty that could be used with Amazing Casting Resin, polymer clay, chocolate, fondant, plaster, soap, and more! Susan also did a fun interactive game “Texture THIS?!” exploring texture plates with polymer clay while learning quick and easy techniques to make and use texture in varied mediums/applications. Game entrants were entered to win a prize package of Alumilite Corp/Amazing Casting Products & Polyform Products.

    The wonderful and talented mixed-media artist Cat Kerr‘s demo “Bezel Bonanza” on the first day of the show. Demonstrating three resin bezel techniques that add dazzling dimension and texture to empty bezels combining Amazing Casting Resin, Amazing Clear Cast Resin, and polymer clay. Manufacturer partners, Polyform Products and Nunn Design. A video tutorial of her demo have be found here: Clay and Resin Dimensional Pendant
    Cat’s second day of demos was “Personalized Photo Holders” was about making quick and fun personalized gifts using Amazing Mold Putty and Amazing Casting Resin.

    Creativation came and went so quickly it almost seems a dream filled with good times, amazing creative people, inspiration and a gateway into the creative industries. Hope to see you there next year!

    Until Next Time, Safe Travels!

  • Crafty Adventures with Resin and Orchids

    Many of my art projects are tests of both art products and my ability to create. I can collect supplies, start working on something, even get a basic idea of what I would like to do, and end up making something completely different. Being able to adapt and still make a complete project that I can be happy with is my ideal goal, and thankfully this one ended up that way.

    Starting with a small collection of orchid blooms that I had dried, I wanted to try to preserve in resin. Dried orchid blooms are very delicate, easily crumbling if mishandled. I decided a frame was the best choice to display the dried orchids and be able to hold the resin in place.

    Supplies:

    Amazing Clear Cast Resin
    Black Alumilite Dye
    Alumidust powders Light Pink, Interference Red, Yellow Gold and Brown

    Liquitex Gloss Varnish
    Dried Flowers

    Toothpicks
    Stir Sticks
    Paint Brush
    Acrylic Paint
    Picture Frame
    Micro Hole-less Glass Beads in Gold and Purple
    Measuring Cups
    Parchment Paper (Found in the Baking section of most stores) to protect work surfaces
    Glue
    Baby Wipes

    I started with removing the glass and back panel of an old frame. I scrubbed the frame clean and painted the back and front of the frame with 2 coats of paint. I mixed some Brown Alumidust powder with Liquitex Gloss Varnish, as a protective varnish layer over the paint. I let the varnish dry overnight.

    I cleaned the glass panel and put it back into the frame. I glued the glass in place to make sure it wouldn’t shift while I worked on it and so resin wouldn’t leak around the edges later. I was careful to have a solid line of glue all the way around the frame and let it dry completely.

    I mixed up some Amazing Clear Cast Resin, making sure to slowly stir to reduce air bubbles and let it sit for 5 minutes. I poured the resin into the frame and carefully placed the dried orchid blooms into the uncured resin. I found that with the first layer of Amazing Clear Cast Resin the orchid blooms had a tendency to shift in the resin. So the first layer of resin had to be a thin pour and I let that cure to a tacky set. 

    I added a second clear layer of Amazing Clear Cast Resin, to cover and protect the orchids. To make sure the resin completely encapsulated the orchids I would push some of the uncured resin around with a stir stick, moving the resin in and around the blooms. I let this layer of resin cure completely.

    Mixing up a new batch of Amazing Clear Cast Resin, I put a pinch of Light Pink, Interference Red and Yellow Gold Alumidust in separate small measuring cups. I then carefully added the liquid resin into each cup carefully stirring with toothpicks to fully mix in the powders.

    I poured the resin mixed with Alumidust in different spots all over the frame and used a toothpick to drag the colors through each other. This created a lovely ebb and flow of color to the resin, and I honestly lost track of time doing this and found it rather relaxing and meditative in nature. I sprinkled in some Micro Hole-less Glass Beads in Gold and Purple around the blooms in this layer of tinted resin before the resin cured.

    I had planned on doing a final cream color tinted layer for the background, but the lovely powder layer got lost when I tried a test sheet of white paper behind it. I needed more of a color contrast, so I thought about a black tinted layer or resin, using a black cloth to mimic the look, allowing the Alumidust tinted resin layer to visually pop more.
    *In the future if I want to use a cream or light colored background I just need to make sure I use more Alumidust or a few drops of Alumilite Dyes to increase the color intensity without the need of a contrasting background.

    Mixing up a final batch of Amazing Clear Cast Resin I added Black Alumilite Dye Black to the resin, making sure to fully stir in all the dye.  I poured the resin over the orchids and previous resin layer, carefully popping bubbles and making sure the tinted resin went into all the nooks and crannies.
    *The dried orchids in this photo are slightly raised as they were not dried flat but collected already dried from a live plant. If the look of filter light going through the resin coated flowers is not the desired appearance just used pressed flowers instead.

    Here it is with the final layer of black tinted resin. The Alumidust not only creates a wonderful metallic shimmer but changes color and tone depending on how the frame is tilted or what type of light source is used!

    This test of both dried materials and the ability to quickly change the direction of the project worked out well. The frame looks complicated but it is just four layers of resin poured. No waste of resin just a few popsicle sticks, toothpicks and clean up with baby wipes.

    With a simple change of dyes, powders and their concentration any number of lovely art can be created with few supplies!
     
    Until Next Time, Safe Travels!
  • 2017 Creativation Show with Amazing Casting Products

    This year’s Craft & Hobby Association 2017 show was a whirlwind of changes, arts and crafts manufacturers, new products, demos, classes,  and networking opportunities. Formerly known as the CHA  Mega Show, it is now called the Creativation Trade show, held in Phoenix, Arizona. CHA also went under a new rebranding, now Association For Creative Industries or AFCI to reflect their more broad ranging inclusion of creative industries.

    Here is their lovely new logo that was introduced to attendees and exhibitors on the second day of the show!

    I was once again a demonstrator at the Amazing Casting Products/Alumilite Corp booth at CHA, this time for all three days! With the show being shorter but with longer show hours everything was a whirlwind.

    In the above photo the President of Alumilite, Mike Faupel is proudly showing off the products of the Amazing Casting Products line and all the artwork samples.

    On the front table there was a wonderful array of artwork by Cat KerrTina WalkerKristie Taylor and yours truly.

    The talented and lovely Cat Kerr did afternoon demonstrations at the booth on Saturday. A tutorial of one of the projects she was demoing can be found Here.

    While sadly Cat couldn’t stay for all of the show, everyone at the Amazing Casting Products booth made sure she had a great time!

    One of my new pieces on display was resin frame piece I created and brought just for this show.

    Using an old frame, gold leaf, Amazing Clear Cast resin tinted with Alumilite’s Dyes and mixed with Alumidust powders I was able to create a vibrant one of a kind abstract piece.

    There was so many samples showcased in almost ever corner of the booth! From home decor, mixed media, jewelry, garden decor, fine art and more!

    Trying a new spin on my resin canvas application (such as I did for last year’s show) I painted, applied gold leaf, Amazing Clear Cast resin, real leaves on a 12″x 24″ canvas. The depth and dimension I was able to achieve was lovely.

    At the end of three days of demos from 9am-6pm I was looking a little frazzled but I had a wonderful time sharing techniques, new resin applications and showcasing my skills as a designer.

    One of my favorite demonstrations was using the tile molds you can see in the photo. If you would like to find out how to create your own a tutorial can be found Here.

    While I didn’t get to walk the show floor like I normally would because everything was so busy this show turned out to be a wonderful and new adventure into the creative industries.

    Until Next Time, Safe Travels!